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| The Zottola
Mouthpiece |
"Engineered For The Center Of
Sound" |
| Currently Zottola
mouthpieces are not being made. Our Remaining stock can now be Purchased
Online |
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| All Zottola Trumpet and Cornet
mouthpieces are GBP 39.95 inc VAT |
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| Trumpet & Cornet The
"66" Series (Cup Diameter 16.76mm) |
| MODEL |
CUP SIZE |
CUP DEPTH |
PURCHASE
ONLINE TRUMPET |
PURCHASE
ONLINE CORNET |
COMMENTS |
| 66A |
LARGE |
DEEP |
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For players who prefer a classical sound with the full
range of tone colors, dark to bright. Recommended for strong embouchures or
those not aspiring to extreme high register. |
| 66B |
LARGE |
MEDIUM |
Sold Out |
Sold Out |
Suitable for players who prefer a classical tone with more
brilliance and greater ease in the upper register. |
| 66C |
LARGE |
SHALLOW |
Sold Out |
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Produces a full-bodied tone that favors the upper register
and produces brilliance with less effort. |
| 66D |
LARGE |
SHALLOWER |
Sold Out |
Sold Out |
By decreasing cup depth slightly while maintaining a wide
diameter, a radical boost in range will be achieved without sacrificing
volume. |
| 66E |
LARGE |
SHALLOWEST |
Sold Out |
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For players who specialize in extreme high register with
brilliance. It can be used as a "piece de resistance" for screech parts. |
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| Trumpet & Cornet The
"64" Series (Cup Diameter 16.26mm) |
| MODEL |
CUP SIZE |
CUP DEPTH |
PURCHASE
ONLINE TRUMPET |
PURCHASE
ONLINE CORNET |
COMMENTS |
| 64A |
MEDIUM |
DEEP |
Sold Out |
Sold Out |
Produces a full, dark tone at low volume levels with a
characteristic trumpet sound in all registers. Strong embouchure needed. |
| 64B |
MEDIUM |
MEDIUM |
Sold Out |
Sold Out |
We have determined this model to be the center of sound;
the perfect balance of cup diameter and cup depth. This masterpiece is the
choice of professionals all over the world. |
| 64C |
MEDIUM |
SHALLOW |
Sold Out |
Sold Out |
Slightly more shallow than the 64B, it gives a boost to
range, endurance and projection. Especially recommended for lead in big bands
or shows. |
| 64D |
MEDIUM |
SHALLOWER |
Sold Out |
Sold Out |
This model has been chosen by lead players for its focused,
bright sound. Jazz artists have also appreciated its flexibility from low to
high register with increased endurance. |
| 64E |
MEDIIUM |
SHALLOWEST |
Sold Out |
Sold Out |
This model is for extreme high register projection and it
is similar to the 66E. It can be very effectively used as an "ace up your
sleeve" for that altissimo passage that must soar over the band. |
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| Trumpet & Cornet The
"62" Series (Cup Diameter 15.75mm) |
| MODEL |
CUP SIZE |
CUP DEPTH |
PURCHASE
ONLINE TRUMPET |
PURCHASE
ONLINE CORNET |
COMMENTS |
| 62A |
SMALL |
DEEP |
Sold Out |
Sold Out |
This model produces a large volume of sound while
delivering a greater ease in the upper register; more than the 66A and
66B. |
| 62B |
SMALL |
MEDIUM |
Sold Out |
Sold Out |
This is one of our most popular models. Like the 64B,
professionals from the classical, jazz and studio scene have chosen this
masterpiece for its brilliant full-bodied tone in all registers. |
| 62C |
SMALL |
SHALLOW |
Sold Out |
Sold Out |
This model will give a healthy boost to your range without
noticeable loss of volume. All of the 62 series are especially favored by
players with thin lips. |
| 62D |
SMALL |
SHALLOWER |
Sold Out |
Sold Out |
This model provides a focused and bright sound that favors
the upper register and enhances endurance. Very good for lead. |
| 62E |
SMALL |
SHALLOWEST |
Sold Out |
Sold Out |
The ultimate in a screech mouthpiece. This is the
special tool for those extreme demands in contemporary music. If you want to be
able to play in the altissimo range with minimum effort, then the 62E
mouthpiece is for you. |
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| The Zottola Mouthpiece
Story |
| In his quest for the ultimate in brass mouthpieces, Frank
Zottola, accomplished instrumentalist, arranger, conductor, manufacturer, and
design research engineer explored the gamut of acoustical variations. His goal;
to achieve a significant improvement in sound production, which would allow the
brass player to create a full, yet focused and brilliant tone with less effort
and without any of the harshness, nasal quality and distortion inherent in so
many earlier mouthpiece design "innovations." Strangely enough, his research
led him out of the machine shop and into Nature's own laboratory. |
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| Nature's
Laboratory |
| In 1952, while walking through a quiet New England woods he came
upon a smoothly flowing stream. Subconsciously, his musician's ear noticed that
it was producing a dark and diffused tonal quality. As he wandered along a
little further where periodic rock obstructions on the stream's bed interrupted
the water's flow creating turbulence, he became aware of the increase in
brilliance and a compactness of sound. When the stream finally broke into a
waterfall, crashing on the descending steps, the pitch, intensity and volume
reached its maximum. At that moment, he had a realization that this natural
phenomenon could be extended to a practical application in mouthpiece design.
He postulated that a stepped back-bore design might very well be what
contemporary brass players have been searching for to solve their problem of
ever increasing range and endurance demands. |
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| Features of the Zottola
Mouthpiece |
| One of the greatest achievements of this design is the one to two
tone increase in the upper register without additional effort. The
range/endurance boost that players have reported is analogous to the dramatic
power surge a turbo-charger or fuel injector has on an engine. In many cases
this breakthrough coupled with the comfort design rim has actually eliminated
swollen, cut lips and even allowed players to move up to first chair! |
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| On Interchanging
Mouthpieces |
| It is commonly known that by interchanging mouthpieces of
different diameters you risk upsetting the balance in the training patterns of
your embouchure .The exceptions are; (a) if the mouthpiece is employed for
a relatively short period of time - for example an extremely high or low phrase
that may be easier with a change of diameter or (b) if you make a decisive
change and stay with it through the adaption period. The Zottola Mouthpiece
system makes it easy to play any mouthpiece within a diameter series.
For example, suppose you're playing 64B (good for all-around work): If you
would like to favor the high register you can change to 64C which has a more
shallow cup. Or if you need to favor the low register the 64A with a deeper cup
would be a good choice. In other words, all of the 64 models are of the same
diameter and rim "feel." However, a change from 62 to 64 or 64 to 66 etc. would
not be recommended as this could create confusion and make for an unstable,
unreliable performance. The Zottola Mouthpiece, with its unique patented
stepped back-bore is manufactured in limited production under the supervision
of the Zottola family. Their concern with precision, quality, and personalized
service, almost things of the past in this age of computerized mass production,
has led to world-wide acclaim for this fine musical instrument. |
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This document maintained by
Sales@bill-lewington.com Material Copyright © 2004 Bill Lewington Ltd. Unit 8 Hornsby
Square, Southfields Industrial Park, Laindon, Essex, SS15 6SD, United
Kingdom |